2020's most viewed...
In the year of the 'vid we saw work adapt at a frantic pace, but what worked? Check out the ten most-viewed films on the shots site in 2020.
2020 was a pretty bonkers year all round, with uncertainties piling up on a daily basis. However, one thing that could be counted on was a steady stream of top-notch commercial content that seemed to roll with the punches and speak to the moment at every step.
What with the madness of the months, we can't expect you all to have seen everything so, using the magic of data, we've analysed all of the views through our Work and Craft posts, plus our monthly Showcases, to bring you a list of the clips you couldn't stop clicking on this year.
Here are the Top Ten Most Viewed films on the shots site in 2020:
10. Burger King breaks the mould
Credits
View on- Agency INGO/Stockholm
- Production Company Colony
- Director Markus Ahlm
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Credits
View on- Agency INGO/Stockholm
- Production Company Colony
- Director Markus Ahlm
- Ad Agency Publicis/Madrid
- Ad Agency DAVID/Miami
- Art Director Max Hultberg
- Art Director Sergio Takahata
- Chief Creative Officer Francisco (Pancho) Cassis
- Chief Creative Officer Eduardo Marquez
- Chief Creative Officer Eduardo Marques
- Copywriter Magnus Ivansson
- Copywriter Pablo Murube
- Executive Creative Director Bjorn Stahl
- Executive Creative Director Jorg Riommi
- Executive Creative Director Pablo Dachefsky
- Group Creative Director Jean Zamprogno
- Group Creative Director Fernando Pellizzaro
- Producer Markus Ahlm
- Senior Art Director Camilo Jimenez
- Edit Company/Sound Design Colony
- Editor Online Erik Lindahl
- Sound Designer Quint Starkie
- Colorist Jean-Clement Soret
- DP Viktor Kumlin
- Producer Lena Von Der Berg
- Producer Jenny Steggo
- Art Director Ivan Montebello
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Credits
powered by- Agency INGO/Stockholm
- Production Company Colony
- Director Markus Ahlm
- Ad Agency Publicis/Madrid
- Ad Agency DAVID/Miami
- Art Director Max Hultberg
- Art Director Sergio Takahata
- Chief Creative Officer Francisco (Pancho) Cassis
- Chief Creative Officer Eduardo Marquez
- Chief Creative Officer Eduardo Marques
- Copywriter Magnus Ivansson
- Copywriter Pablo Murube
- Executive Creative Director Bjorn Stahl
- Executive Creative Director Jorg Riommi
- Executive Creative Director Pablo Dachefsky
- Group Creative Director Jean Zamprogno
- Group Creative Director Fernando Pellizzaro
- Producer Markus Ahlm
- Senior Art Director Camilo Jimenez
- Edit Company/Sound Design Colony
- Editor Online Erik Lindahl
- Sound Designer Quint Starkie
- Colorist Jean-Clement Soret
- DP Viktor Kumlin
- Producer Lena Von Der Berg
- Producer Jenny Steggo
- Art Director Ivan Montebello
Utilising the same photography techniques normally employed to make treats look even more scrumptious, Burger King’s agency partners: Publicis, INGO and David Miami have collaborated to instead deliver the message that, like most things in nature, every element of their trademark sandwich is prone to decay.
Boldly standing in contrast to what 'should' be shown, The Moldy Whopper instead draws a delicious (for want of a better word) comparison to stories and videos of rival fast-food burgers' distinct lack of rot, even after several years.
See what we said about the spot here.
9. The wiener takes it all
Credits
View on- Agency In-House
- Production Company The BMP Film Company
- Director Chris Vanderwall
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Credits
View on- Agency In-House
- Production Company The BMP Film Company
- Director Chris Vanderwall
- Executive Producer Emily Weinstein
- DP Chris Vanderwall
- Colourist Matthew Filipek
- Post Production Lead/Editor Tayler Bujnowski
- Audio Mix Tom Haigh
- Field Audio Ed Bornstein
- Creative Director Brian Siedband
- Creative Director Gordy Sang
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Credits
powered by- Agency In-House
- Production Company The BMP Film Company
- Director Chris Vanderwall
- Executive Producer Emily Weinstein
- DP Chris Vanderwall
- Colourist Matthew Filipek
- Post Production Lead/Editor Tayler Bujnowski
- Audio Mix Tom Haigh
- Field Audio Ed Bornstein
- Creative Director Brian Siedband
- Creative Director Gordy Sang
As promoted in this hilarious spot from agency Quality Meats, Wiener’s Circle, Chicago’s famed hot dog joint, is now offering up Curbside Abuse - allowing customers to order virtually face-to-face with its foul-mouthed staff by Facetiming the number 773-BITCHES, or, by adding 'curbside abuse' to the order on Tock, Grubhub or UberEats, a free profanity-laced earlashing of your choice when you pick up the order.
See what we said about the spot here.
8. Dacia's DIY ingenuity
Credits
View on- Agency Publicis.Poke/London
- Production Company Iconoclast UK
- Director Vania & Muggia
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Credits
View on- Agency Publicis.Poke/London
- Production Company Iconoclast UK
- Director Vania & Muggia
- Post Production MPC/London
- Sound Design Prodigious London
- Executive Creative Director Dave Monk
- Group Creative Director Colin Byrne
- Creative Director Rob Butcher
- Head of Production Colin Hickson
- Producer Tom Knight
- Producer Kate Sharpe
- Colourist Jean-Clement Soret
- Flame David Filipe
- Nuke Ed Taylor
- Post Producer Amie Kingsnorth
- Sound Designer Michael Powell
- Composer Assa Raviv
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Credits
powered by- Agency Publicis.Poke/London
- Production Company Iconoclast UK
- Director Vania & Muggia
- Post Production MPC/London
- Sound Design Prodigious London
- Executive Creative Director Dave Monk
- Group Creative Director Colin Byrne
- Creative Director Rob Butcher
- Head of Production Colin Hickson
- Producer Tom Knight
- Producer Kate Sharpe
- Colourist Jean-Clement Soret
- Flame David Filipe
- Nuke Ed Taylor
- Post Producer Amie Kingsnorth
- Sound Designer Michael Powell
- Composer Assa Raviv
Unable to utilise a full production crew, actors and most other trappings of a modern commercial, Vania & Muggia, who directed the spot through Iconoclast Films, shot the film in their flat in Tel Aviv. It took four weeks to produce using three laptops, a drill, a record player, some bike lights and a 1:43 scale model of a Dacia Duster.
The commercial, called Ingenious Productions, uses those items to cleverly create what looks, initially, like a fairly cliche-ridden car campaign, before the camera pulls back to reveal a more homemade approach
See what we said about the spot, alongside an interview with three of the creatives here.
7. SAS asks What Is Truly Scandinavian?
Credits
View on- Agency &Co/Copenhagen
- Production Company New Land
- Director Gustav Johansson
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Credits
View on- Agency &Co/Copenhagen
- Production Company New Land
- Director Gustav Johansson
- Executive Producer Sara Samsoe
- Producer Adam Holmstrom
- DP Jasper Spanning
- Editor Sam Ostrove
- Edit Assistant Martin Zaar
- Colourist Nicke Johansson
- VFX & Online Kalle Lundberg
- VFX/Animation Per Helin
- Sound Designer Anton Ahlberg
- Composer Pierre Riddez
- Art Director Lea Flodgaard
- Art Director Anna Katrine Winblad Nielsen
- Copywriter Mathias Trads Olesen
- Copywriter Joachim Juel Ulrich
- Copywriter Kristel Kroier
- Creative Director Robert Cerkez
- Graphic Designer Anders Martin Jensen
- Interactive Producer Palle Aufeldt
- Producer Filippa Borg von Bulow
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Credits
powered by- Agency &Co/Copenhagen
- Production Company New Land
- Director Gustav Johansson
- Executive Producer Sara Samsoe
- Producer Adam Holmstrom
- DP Jasper Spanning
- Editor Sam Ostrove
- Edit Assistant Martin Zaar
- Colourist Nicke Johansson
- VFX & Online Kalle Lundberg
- VFX/Animation Per Helin
- Sound Designer Anton Ahlberg
- Composer Pierre Riddez
- Art Director Lea Flodgaard
- Art Director Anna Katrine Winblad Nielsen
- Copywriter Mathias Trads Olesen
- Copywriter Joachim Juel Ulrich
- Copywriter Kristel Kroier
- Creative Director Robert Cerkez
- Graphic Designer Anders Martin Jensen
- Interactive Producer Palle Aufeldt
- Producer Filippa Borg von Bulow
Taking a delightfully cheeky look at how traditions and values associated with a region can actually be traced backed to unlikely sources, Scandinavian Airlines (SAS)'s fun 3-minute film, What is truly Scandinavian?, celebrates how travel enriches all.
Created by Danish agency &Co and directed by Gustav Johansson, through production company New Land, the playful tone, tight editing and clever copywriting make this a heartfelt and honest celebration of true social sharing.
See what we said about the spot here.
6. Would you hire Trump?
Credits
View on- Director Andrew Laurich
- Copywriter Gabriel Miller
- Copywriter Andrew Laurich
- Editor Andrew Laurich
- DP Filip Vandewal
- Producer Sean Barney
- Executive Producer Andrew Laurich
- Executive Producer Ben Rosenblatt
- Executive Producer Micho Rutare
- Executive Producer Michael Silver
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Credits
powered by- Director Andrew Laurich
- Copywriter Gabriel Miller
- Copywriter Andrew Laurich
- Editor Andrew Laurich
- DP Filip Vandewal
- Producer Sean Barney
- Executive Producer Andrew Laurich
- Executive Producer Ben Rosenblatt
- Executive Producer Micho Rutare
- Executive Producer Michael Silver
As the vote for the most important job in the USA comes to a climax, this comedic spot from filmmaking funnyman Andrew Laurich reminds us, with terrifying deadpan, the somewhat spotted history of the incumbent Commander-in-chief.
Taking the form of a job interview, Would you hire Trump? lists the successes (few) and failures (many) from Donald's life so far.
See what we said about the spot here.
5. Cloudy with a chance of Burberry
Credits
View on- Agency Production Company In-House
- Production Company Riff Raff
- Director Megaforce
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Credits
View on- Agency Production Company In-House
- Production Company Riff Raff
- Director Megaforce
- Executive Creative Director Megaforce
- Edit Company Final Cut/London
- Post Production The Mill/London
- Sound Design 750mph
- Music Twenty Below Music
- Executive Producer Matthew Fone
- Producer Nick Goldsmith
- Production Manager Hannah Fowles-Pazdro
- Production Coordinator Georgia Mills
- DP Katelin Arizmendi
- SFX Paul Mann
- Editor Joe Guest
- Post Producer Ryan Hancocks
- 2D Lead Alex Lovejoy
- 3D Lead Fabian Frank
- Colorist Matthieu Toullet
- Sound Designer Sam Ashwell
- Music Producer Emily Pritchard
- Chief Creative Officer Riccardo Tisci
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Credits
powered by- Agency Production Company In-House
- Production Company Riff Raff
- Director Megaforce
- Executive Creative Director Megaforce
- Edit Company Final Cut/London
- Post Production The Mill/London
- Sound Design 750mph
- Music Twenty Below Music
- Executive Producer Matthew Fone
- Producer Nick Goldsmith
- Production Manager Hannah Fowles-Pazdro
- Production Coordinator Georgia Mills
- DP Katelin Arizmendi
- SFX Paul Mann
- Editor Joe Guest
- Post Producer Ryan Hancocks
- 2D Lead Alex Lovejoy
- 3D Lead Fabian Frank
- Colorist Matthieu Toullet
- Sound Designer Sam Ashwell
- Music Producer Emily Pritchard
- Chief Creative Officer Riccardo Tisci
Joyful and surreal, Festive was directed by Riff Raff’s Megaforce. The group acted as agency and production company, pushing a concept to the limit, making every movement and sound more intense and fun than the last.
See what we said about the spot, plus an interview with the directors, here.
4. Heineken’s ode to empty pubs
Credits
View on-
- Production Company Stink/Brazil
- Director Marcio (Squarehead) Leitao
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Credits
View on- Production Company Stink/Brazil
- Director Marcio (Squarehead) Leitao
- Producer Michele Pavao
- Producer Welton Noronha
- Creative Director Arturo Marenda
- Global Executive Creative Director Mihnea Gheorghiu
- Chief Creative Officer Domenico Massareto
- Head of TV Production Renata Sayao
- Head of TV Production Mariella Maiorano
- Global Chief Creative Officer Bruno Bertelli
- Chief Creative Officer Cristiana Boccassini
- Executive Creative Director Gustavo Victorino
- Executive Creative Director Dave Monk
- Sound Editing and Mixing Quiet City Music & Sound
- Managing Director Ingrid Raszl
- Executive Producer Renata Dumont
- Executive Producer Carolina Junqueira
- Executive Producer Camila Martinez
- Post Production Coordinator Roberta Bruzadin
- Editor Marcio (Squarehead) Leitao
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Credits
powered by- Production Company Stink/Brazil
- Director Marcio (Squarehead) Leitao
- Producer Michele Pavao
- Producer Welton Noronha
- Creative Director Arturo Marenda
- Global Executive Creative Director Mihnea Gheorghiu
- Chief Creative Officer Domenico Massareto
- Head of TV Production Renata Sayao
- Head of TV Production Mariella Maiorano
- Global Chief Creative Officer Bruno Bertelli
- Chief Creative Officer Cristiana Boccassini
- Executive Creative Director Gustavo Victorino
- Executive Creative Director Dave Monk
- Sound Editing and Mixing Quiet City Music & Sound
- Managing Director Ingrid Raszl
- Executive Producer Renata Dumont
- Executive Producer Carolina Junqueira
- Executive Producer Camila Martinez
- Post Production Coordinator Roberta Bruzadin
- Editor Marcio (Squarehead) Leitao
Back to Bars is catchy and fun, focusing on the neighborhoods and small businesses affected by the lockdown orders, touching on next-door dives, sports bars, and fancy cocktail lounges. As we move through each space, the lyrics of Don’t You (Forget About Me) appear in clever ways. Animators and designers have crafted, quilted, and trawled through stock footage in order to illustrate both the anthem and the bars we’re no longer visiting.
See what we said about the spot here.
3. FT's new ad will have you lost for words
Credits
View on- Agency The Brooklyn Brothers/London
- Production Company In-House at Agency
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Credits
View on- Agency The Brooklyn Brothers/London
- Production Company In-House at Agency
- Editing Peep Film
- Creative George Bryant
- Creative Michael Thomas
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Credits
powered by- Agency The Brooklyn Brothers/London
- Production Company In-House at Agency
- Editing Peep Film
- Creative George Bryant
- Creative Michael Thomas
Collecting together press clips of world leaders and excessively rich people struggling to vocalise their thoughts, Lost For Words presents a chucklesome reflection of the uncertainties of this time.
Direct and all the better for it, this smart strategy from The Brooklyn Brothers, coupled with a perfectly paced edit job, makes for a clever commercial that leaves us speechless.
See what we said about the spot here.
2. Nike's powerful ode to the unstoppable Shim Suk-hee
Credits
View on- Agency Wieden + Kennedy/Tokyo
- Production Company Noir Productions/London
- Director Crowns & Owls
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Credits
View on- Agency Wieden + Kennedy/Tokyo
- Production Company Noir Productions/London
- Director Crowns & Owls
- Production Service Mr Romance
- VFX No. 8
- Sound Design Sound Canvas
- Music Father
- Producer Javier Alejandro
- Production Manager Bong Hoon Cho
- Editor John Holloway
- Colourist Jonny Tully
- VFX Jim Allen
- VFX Barny Wright
- Audio Engineer Tom Joyce
- Composer Joe Farley
- Composer Freddie Webb
- Exec Creative Director Scott Dungate
- Creative Director Jordi Luna
- Art Director Max Pilwat
- Copywriter Andrew Miller
- Head of Production Kerli Teo
- Producer Jennifer Chien
- Designer Donna Kwon
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Credits
powered by- Agency Wieden + Kennedy/Tokyo
- Production Company Noir Productions/London
- Director Crowns & Owls
- Production Service Mr Romance
- VFX No. 8
- Sound Design Sound Canvas
- Music Father
- Producer Javier Alejandro
- Production Manager Bong Hoon Cho
- Editor John Holloway
- Colourist Jonny Tully
- VFX Jim Allen
- VFX Barny Wright
- Audio Engineer Tom Joyce
- Composer Joe Farley
- Composer Freddie Webb
- Exec Creative Director Scott Dungate
- Creative Director Jordi Luna
- Art Director Max Pilwat
- Copywriter Andrew Miller
- Head of Production Kerli Teo
- Producer Jennifer Chien
- Designer Donna Kwon
It's interesting that, despite the intentions of creatives and filmmakers to tell a specific narrative, film can sometimes take on an even greater resonance because of the period into which it's released
Such is the case with Crowns&Owls' powerful You Can't Stop Us for Nike and Wieden+Kennedy Tokyo concerning Shim Suk-hee; the female gold medalist speed skater and national icon, whose bravery in confronting her experience with systematic physical, sexual and mental abuse within 2019 South Korean sport triggered a widespread movement, forever changing legislation and discourse around the subject.
See what we said about the spot here.
1. Coke ad fizzes with righteous indignation
Credits
View on- Agency Wieden + Kennedy/London
- Production Company Somesuch
- Director Steve Rogers
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Credits
View on- Agency Wieden + Kennedy/London
- Production Company Somesuch
- Director Steve Rogers
- Production Co. Revolver/Will O'Rourke
- Production Service OPC
- Editing Work Editorial/London
- Post Production Time Based Arts
- Sound Design 750mph
- Talent Natasha Lyonne
- Creative Director Joe De Souza
- Creative Director Juan Sevilla
- Creative Ben Shaffery
- Creative Molly Wilkof
- Contributing Creative Carlos Font
- Senior Designer Simon Elvins
- Executive Creative Director Tony Davidson
- Executive Creative Director Iain Tait
- Producer Matthew Ellingham
- Production Assistant Aran Patterson
- Executive Producer Seth Wilson
- Producer Lee Groombridge
- DP Daniel Landin
- Production Designer Steven Jones-Evans
- Editor Richard Orrick
- VFX Supervisor Sheldon Gardner
- VFX Supervisor Francois Roisin
- Post Exec Producer Tom Johnson
- Post Producer Sean Ewins
- Colourist Simone Grattarola
- Sound Designer Sam Ashwell
- Music Producer Leon Hamilton
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Credits
powered by- Agency Wieden + Kennedy/London
- Production Company Somesuch
- Director Steve Rogers
- Production Co. Revolver/Will O'Rourke
- Production Service OPC
- Editing Work Editorial/London
- Post Production Time Based Arts
- Sound Design 750mph
- Talent Natasha Lyonne
- Creative Director Joe De Souza
- Creative Director Juan Sevilla
- Creative Ben Shaffery
- Creative Molly Wilkof
- Contributing Creative Carlos Font
- Senior Designer Simon Elvins
- Executive Creative Director Tony Davidson
- Executive Creative Director Iain Tait
- Producer Matthew Ellingham
- Production Assistant Aran Patterson
- Executive Producer Seth Wilson
- Producer Lee Groombridge
- DP Daniel Landin
- Production Designer Steven Jones-Evans
- Editor Richard Orrick
- VFX Supervisor Sheldon Gardner
- VFX Supervisor Francois Roisin
- Post Exec Producer Tom Johnson
- Post Producer Sean Ewins
- Colourist Simone Grattarola
- Sound Designer Sam Ashwell
- Music Producer Leon Hamilton
Director by Steve Rogers and agency W+K London have created a hilariously hostile urban environment where everybody’s determination to be right causes social – and architectural – collapse.
Produced by Somesuch x Revolver Will O'Rourke, the film Could I Be Wrong? depicts stressed out city dwellers arguing the toss over everything – fuelled by aggy talking heads on TV, and violent videogame characters that burst through screens into peoples conflict-ravaged homes.