Accompanying her eighth studio album EQUILIBRIVM, the Brazilian pop icon releases a stunning visual album tapping into her country’s roots, rich culture and spiritual pulse.
A pigeon gets crafty in DUDE Milan’s characterful stop-motion animation for the online graphic design tool.
The animal rights activist group releases a chilling film using fashion-inspired visuals and human actors to expose the brutality of laboratory animal testing.
Developed with charity partner Beyond Equality, the brand's charming new film from Minds Eye director Jim Archer encourages fathers to keep their boys close.
The car rental brand shifts the World Cup journey up a gear with a lively spot that positions the drive to the tournament as part of the spectacle.
Landia helms a passionate, mixed-media film for the beer brand celebrating Mexican boxing and its cultural roots.
A man leaps between bizarre scenarios in this witty and well-executed spot from OONA/BAAS.
The London concert venue celebrates a milestone anniversary with an impactful spoken word-led short film directed and concepted by Ned Botwood.
Accompanying her eighth studio album EQUILIBRIVM, the Brazilian pop icon releases a stunning visual album tapping into her country’s roots, rich culture and spiritual pulse.
A pigeon gets crafty in DUDE Milan’s characterful stop-motion animation for the online graphic design tool.
The animal rights activist group releases a chilling film using fashion-inspired visuals and human actors to expose the brutality of laboratory animal testing.
Developed with charity partner Beyond Equality, the brand's charming new film from Minds Eye director Jim Archer encourages fathers to keep their boys close.
The car rental brand shifts the World Cup journey up a gear with a lively spot that positions the drive to the tournament as part of the spectacle.
Landia helms a passionate, mixed-media film for the beer brand celebrating Mexican boxing and its cultural roots.
A man leaps between bizarre scenarios in this witty and well-executed spot from OONA/BAAS.
The London concert venue celebrates a milestone anniversary with an impactful spoken word-led short film directed and concepted by Ned Botwood.
Q&As and behind-the-scenes info on the latest and greatest commercials, shorts and music videos.
A strip of wood might not make the most exciting subject for an ad, but in its latest campaign, Hornbach made it the star. Jamie Madge sat down with director Ian Pons Jewell and Thomas Houthave from audio company Klankwerk to find out the theme behind the beam.
BBH London ECD Felipe Guimaraes and MJZ director Nick Ball describe the meticulous processes involved in creating Tesco's new hero Plumbert, a character that’s basically a sack of fruit and veg minus the sack.
Entrusted with Airwallex's first global campaign, Uncommon London created a beautiful, black and white campaign that celebrates the inventive nature of the human spirit. Creative and director Sam Walker talks us through the process, from the spark of an idea, to the completed film.
With the deadline for Shootout 2026 looming, filmmakers from Drool, new-land, Mr+Positive, Snapper Films, and VCCP discuss the terror, joy and creative freedom that comes with creating films under uniquely unforgiving restrictions.
As Channel 4’s in-house agency unveils its new identity, Miketta Lane and David Wigglesworth chat to Jamie Madge about collaborative authorship, creative chaos, and resisting polished uniformity.
With a deep post background, Ganfield shoots with the edit in mind, building rhythm, coverage, and performance choices on set.
Arnstein’s films span narrative, documentary, and commercials, with some projects featuring her unique mixed-media approach.
The Prague-based director signs to the global roster, and brings a cinematic, edit-led approach shaped by rhythm, emotion, and pop culture influence.
The ‘Technicolor Noir’ visionary joins Blink Productions for commercial representation.
Irigoyen studied Film at the Buenos Aires Film University and brings a background in both film and theatre direction to his work.
With a deep post background, Ganfield shoots with the edit in mind, building rhythm, coverage, and performance choices on set.
Arnstein’s films span narrative, documentary, and commercials, with some projects featuring her unique mixed-media approach.
The Prague-based director signs to the global roster, and brings a cinematic, edit-led approach shaped by rhythm, emotion, and pop culture influence.
The ‘Technicolor Noir’ visionary joins Blink Productions for commercial representation.
Irigoyen studied Film at the Buenos Aires Film University and brings a background in both film and theatre direction to his work.
Multidisciplinary visual artist Paloma Rincón crafts bright, bold and deliciously playful photographic and moving image projects for global brands from Heineken to IKEA. She talks to Amy Hey at OFFF Festival Barcelona about experimentation, handmade craft and making people smile.
In this months shots Unsigned interview, we speak with French directing duo Seth Ickerman about their body of work and recent film Speed or Perish. Here they go in depth about their remarkable creative process, their passion for animation and AI, and the trials and tribulations of working on VFX laden productions.
Best known for wrangling flames for the BBC and experimenting with ice, smoke and water for WWF, director and co-founder of Nomint, Yannis Konstantinidis, has mastered the art of elemental craft. Kicking off this month's Play Focus, he talks to Amy Hey about risk-taking, pyrotechnics and why difficult ideas deliver the greatest impact.
Lynsey Atkin, Founder and Partner at Baby Teeth, selects life-sized Lego F1 cars, fictional fashion interns and Chalamet cultural chaos that she believes could pick up Entertainment Lions this year.
From mind-bendingly brilliant puppetry to enormous animatronics, BLINKINK director Joseph Mann shares the people and projects that inspire his sense of play.
Inspired while listening to the Red Hot Chili Peppers, the theme of Object & Animal Managing Partner Dom Thomas's UK Cannes Contenders seems to be ‘Blood, shit, hand-made, magik’.
Artificial intelligence is here, and it will fundamentally alter filmmaking. But, says The Moon Unit, AI's democratisation of the industry is a fallacy, because as the jigsaw of real-time filmmaking edges closer to completion, it will be the select few with access to the knowledge, rather than the masses with access to the tech, who will come out on top.
Monthly round-ups, technique focusses and entertaining showreels, curated by the shots team.
Our monthly digital magazine, bringing you an indispensable look at specific territories, techniques and themes within the advertising industry.
Fill out the form below to arrange a personalized demo and see how shots can work for you...