This new film examines the addictive nature of poker machines and looks to rectify an element of them which fuels that addiction.
Leo UK’s impactful, spoken-word-led pro-bono film marks the launch of the TV personality’s charity tackling bed poverty.
Women get locked up on purpose in Lionel Goldstein’s hilarious spot for Equal Pay Day, highlighting the one place where the gender pay gap doesn’t exist: prison.
Water Witness, an organisation tackling the global water crisis, has launched a new campaign highlighting the unfair use of water in UK brands and products.
Caviar duo David Vu and Yasmin Hero’s directorial debut, Aka To Shiro, is a surreal and stylised dance film exploring identity and self-confidence.
The Chrome dinosaur springs to terrifying life in this funny spot from agency Lemon and director Manzanon.
Oscar Hudson's new film for the brand sees a video game character break free of his shackles and escape into the 'real' world. The twist – the lo-fi visuals and angular textures aren't CG; instead, the MJZ director used impeccable production design and canny lighting to trick us into mistaking physical for digital. Jamie Madge caught up with Hudson and Isle of Any founders Toby Treyer-Evans and Laurie Howell to download the details.
Marcel creates a smartly silly campaign for the payments company in which AI images are used to show people how easily tricked they can be.
This new film examines the addictive nature of poker machines and looks to rectify an element of them which fuels that addiction.
Leo UK’s impactful, spoken-word-led pro-bono film marks the launch of the TV personality’s charity tackling bed poverty.
Women get locked up on purpose in Lionel Goldstein’s hilarious spot for Equal Pay Day, highlighting the one place where the gender pay gap doesn’t exist: prison.
Water Witness, an organisation tackling the global water crisis, has launched a new campaign highlighting the unfair use of water in UK brands and products.
Caviar duo David Vu and Yasmin Hero’s directorial debut, Aka To Shiro, is a surreal and stylised dance film exploring identity and self-confidence.
The Chrome dinosaur springs to terrifying life in this funny spot from agency Lemon and director Manzanon.
Oscar Hudson's new film for the brand sees a video game character break free of his shackles and escape into the 'real' world. The twist – the lo-fi visuals and angular textures aren't CG; instead, the MJZ director used impeccable production design and canny lighting to trick us into mistaking physical for digital. Jamie Madge caught up with Hudson and Isle of Any founders Toby Treyer-Evans and Laurie Howell to download the details.
Marcel creates a smartly silly campaign for the payments company in which AI images are used to show people how easily tricked they can be.
Q&As and behind-the-scenes info on the latest and greatest commercials, shorts and music videos.
Oscar Hudson's new film for the brand sees a video game character break free of his shackles and escape into the 'real' world. The twist – the lo-fi visuals and angular textures aren't CG; instead, the MJZ director used impeccable production design and canny lighting to trick us into mistaking physical for digital. Jamie Madge caught up with Hudson and Isle of Any founders Toby Treyer-Evans and Laurie Howell to download the details.
Kicking off March and April's Movement Focus, VFX Supervisor at Black Kite Studios, Dan Moore, and Riff Raff directors Smith & Foulkes walk us through the whimsical behind-the-scenes details of Telstra's Wherever We Go campaign.
In The Gastronaut, the supermarket brand showed just how crappy life can be without access to sufficient middle-class morsels. shots caught up with Wonderhood creatives Tad Buxton and India Penny, and SMUGGLER director Tom Speers, to find out how they gave a space station such a quirky atmosphere.
This campaign, created for Waka Kotahi New Zealand Transport Authority by McCann NZ, urges drivers to take a speed check and resist the monstrous urges forcing them to drive faster. Wanting to visualise these urges with as much authenticity as possible, director Michael Hili and the FINCH production team set about making a trilogy of fiends purely by hand.
In what might be the most snack-unfriendly spot of this year's Big Game, Quality Meats and The Perlorian Brothers are bringing clumps of hair to life to perform a painful plucked power-ballad. shots caught up with the creative team to find out just what makes an offcut croon.
Diverse hires across disciplines reflect Entropico’s conviction that the companies moving fastest need a production partner that can move between brand films, product launches, and always-on content without losing craft.
Last week the Shiny Showcase celebrated emerging filmmaking talent in Edinburgh with their latest showcase.
750mph promotes Olivia Ray to Executive Producer and brings in former Goodby Silverstein EP, Rachel Saxon, as Head of Production.
Evans joins the team as New Business Executive Producer, having worked across both television and advertising, with previous roles at Agile Films, Bullion, Smuggler and BBC Studios.
The Australian-born director is known for a distinct comedic sensibility that focuses on human behaviour rather than traditional punchlines.
Doma appoints Brown and Ossipoff as Post Producers, continuing the studio’s expansion and reinforcing its commitment to building depth across the entire post-production team.
Diverse hires across disciplines reflect Entropico’s conviction that the companies moving fastest need a production partner that can move between brand films, product launches, and always-on content without losing craft.
Last week the Shiny Showcase celebrated emerging filmmaking talent in Edinburgh with their latest showcase.
750mph promotes Olivia Ray to Executive Producer and brings in former Goodby Silverstein EP, Rachel Saxon, as Head of Production.
Evans joins the team as New Business Executive Producer, having worked across both television and advertising, with previous roles at Agile Films, Bullion, Smuggler and BBC Studios.
The Australian-born director is known for a distinct comedic sensibility that focuses on human behaviour rather than traditional punchlines.
Doma appoints Brown and Ossipoff as Post Producers, continuing the studio’s expansion and reinforcing its commitment to building depth across the entire post-production team.
With ancestors including a turn-of-the-century cross-dressing ventriloquist, an education activist who protested with a severed finger and a film editor dad who literally set the BBC on fire, Kai Hsiung comes from a line of creative individualists. The retiring Global MD of RSA Films shared with Carol Cooper her candid reflections on workaholism, cancer and her 34 glorious years with the Scotts.
For this months shots Unsigned interview, we speak with director and producer Breanna Lynn about her film Drive It Like You Stole It. Here she fills us in on making a car commercial with zero funding, juggling director/producer roles, and launching her own production company.
Whether he’s adding drama to DIY or rhythm to the Rolling Stones, Carlos Font Clos is a master at finding emotion in the edit. The shots Editor of the Year tells Selena Schleh about working in an invisible craft - and why cutting is all about the ‘click’
Known for his raw, emotionally grounded storytelling, Hummingbird Content Studio director Parker Foster tells us about the importance of honesty, kindness, and comfortable silence on set.
This week we speak with Stink director PETR about his time growing up in the Czech Republic, his A$AP Rocky fandom, and his Seiko watch.
IndependentMedia director Jamie Babbit, who recently directed Netflix's Nobody Wants This season two, Fox's Best Medicine season one and the latest season of Hulu's Only Murders in the Building, talks classic films, power couples, and the addictive quality of sinus rinse.
Elliott Starr, Creative Partner at Belief Studio, thinks creative companies are like an octopus; sleek and smooth on top, with arms beneath the surface that can be chaotic and unpredictable, but often brilliant. Most attempts to use AI to make creativity more efficient, Starr thinks, will be a step towards sterility and predictability.
Monthly round-ups, technique focusses and entertaining showreels, curated by the shots team.
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