The pop icon’s surreal, pastiche-packed promo for her track Opalite is a star-studded spectacle that only someone of her cultural clout could pull off.
In a rousing film for Farm Credit Canada, directed by Vincent René-Lortie through Denim, a documentary-feel montage takes us on a sweeping journey across the country.
Inviting punters to Be a Forever New Yorker, this cool campaign from Mother New York and directors Ashley Armitage and Sam Taylor takes NY resident tropes and gives them space to breathe.
Zak Razvi directs a simple yet impactful spot as part of the UK Government's initiative to help parents talk to their children about toxic social media content.
Akcelo and director Scott Otto Anderson put fans atop wild vehicles in a Mad Max meets Toy Story-style dash through the outback.
The audio streaming service celebrates music as a cultural unifier in an upbeat film capturing fans’ reactions to Bad Bunny’s Super Bowl performance.
A tempted smoker is brought to clarity by the authority in his pocket in this well-performed spot for the Department for Health and Social Care from AMV BBDO and Arthur Studholme.
The Dutch energy company comes to the rescue in the midst of energy plan confusion with its boldly absurdist promotion of its simpler, fairer services.
The pop icon’s surreal, pastiche-packed promo for her track Opalite is a star-studded spectacle that only someone of her cultural clout could pull off.
In a rousing film for Farm Credit Canada, directed by Vincent René-Lortie through Denim, a documentary-feel montage takes us on a sweeping journey across the country.
Inviting punters to Be a Forever New Yorker, this cool campaign from Mother New York and directors Ashley Armitage and Sam Taylor takes NY resident tropes and gives them space to breathe.
Zak Razvi directs a simple yet impactful spot as part of the UK Government's initiative to help parents talk to their children about toxic social media content.
Akcelo and director Scott Otto Anderson put fans atop wild vehicles in a Mad Max meets Toy Story-style dash through the outback.
The audio streaming service celebrates music as a cultural unifier in an upbeat film capturing fans’ reactions to Bad Bunny’s Super Bowl performance.
A tempted smoker is brought to clarity by the authority in his pocket in this well-performed spot for the Department for Health and Social Care from AMV BBDO and Arthur Studholme.
The Dutch energy company comes to the rescue in the midst of energy plan confusion with its boldly absurdist promotion of its simpler, fairer services.
Q&As and behind-the-scenes info on the latest and greatest commercials, shorts and music videos.
In The Gastronaut, the supermarket brand showed just how crappy life can be without access to sufficient middle-class morsels. shots caught up with Wonderhood creatives Tad Buxton and India Penny, and SMUGGLER director Tom Speers, to find out how they gave a space station such a quirky atmosphere.
This campaign, created for Waka Kotahi New Zealand Transport Authority by McCann NZ, urges drivers to take a speed check and resist the monstrous urges forcing them to drive faster. Wanting to visualise these urges with as much authenticity as possible, director Michael Hili and the FINCH production team set about making a trilogy of fiends purely by hand.
In what might be the most snack-unfriendly spot of this year's Big Game, Quality Meats and The Perlorian Brothers are bringing clumps of hair to life to perform a painful plucked power-ballad. shots caught up with the creative team to find out just what makes an offcut croon.
Taking something as unpredictable as combustion and utilising it in stop-motion is a uniquely deranged undertaking... so step forward, seasoned element wrangler Yannis Konstantinidis. Jamie Madge caught up with Konstantinidis and BBC Creative's Paul Bailey to find out how they started the fire.
With a hugely impressive, multi-award-winning partnership behind them, Canal+ and BETC's often comedic approach to ad campaigns stepped to a different beat in their most recent collaboration.
The industry leader will lead curatorial committee with a focus on craft and story.
Final Cut announce the signing of two new editors, Kevin Zimmerman and Ramon Morejon.
The London and Berlin-based post-production studio strengthens German market credentials with senior agency and production hire.
The Netherlands-based director has joined for UK and US representation.
Biggs will join the BBC’s in‑house creative agency later this year from Uncommon Creative Studio, bringing over a decade of experience.
An expert creative matchmaker with a storied track record of building iconic partnerships joins Psyop’s global leadership team.
The industry leader will lead curatorial committee with a focus on craft and story.
Final Cut announce the signing of two new editors, Kevin Zimmerman and Ramon Morejon.
The London and Berlin-based post-production studio strengthens German market credentials with senior agency and production hire.
The Netherlands-based director has joined for UK and US representation.
Biggs will join the BBC’s in‑house creative agency later this year from Uncommon Creative Studio, bringing over a decade of experience.
An expert creative matchmaker with a storied track record of building iconic partnerships joins Psyop’s global leadership team.
On February 5th, Electric Theatre Collective and Biscuit Filmworks brought together a group of promising emerging talent for their annual Young Producers Dinner. shots joined them to catch up with a new generation on what inspires them, challenges them, and how they’re fairing in an ever-shifting industry.
With wellness – of people and the planet – as a cornerstone, creative production studio Lowkey Films does things differently. Its founders Jamie Gamache and Connor O’Hara are proud to report it was the first UK feature film production company to achieve B Corp certification. Lucy Aitken heads to south London to find out more.
In our latest shots Unsigned interview, we speak with the director David Kobzantsev about his short film Gold Hearts of Hot Rod County. Here he spills the beans on the making of the short, classic coming-of-age movies, and above all else keeping it magical.
Thinking Machine director Megan Brotherton admires Ontario's recent ad campaign, is glad her "geriatric sneakers" are finally trendy, and wishes for a bit more courage in the creative community.
Hummingbird director Lena Tsod reveals the darkroom relics, dog-eared diaries and disparate time zones that shape her creative world.
Director Freddie Powell of DROOL tells us why people skills trump talent, which filmmakers he envies most, and how turning 'safe' scripts into something magical has become part of the job.
The Super Bowl is a rare cultural moment where brands compete for attention, emotion and memorability, all at once. Yet, says Vanessa Chin, SVP Marketing at System1, brands that try something new, losing familiar assets and recognition, can lose out to those that utilise consistency.
Monthly round-ups, technique focusses and entertaining showreels, curated by the shots team.
Our monthly digital magazine, bringing you an indispensable look at specific territories, techniques and themes within the advertising industry.
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