Q&As and behind-the-scenes info on the latest and greatest
commercials, shorts and music videos.
Ruffian director Nez has just released a beautiful short film which puts an imagined version of legendary Canadian-born architect Frank Gehry centre stage, alongside the moon. Here, Nez, talks intuition, inspiration and lunar lighting.
After tackling a frozen stop-motion model for the WWF last year, directors Yannis Konstantinidis and Christos Lefakis went to the other end of the temperature scale for 2022's film, A Flammable Planet. We spoke to Konstantinidis about taming the elements, one frame at a time.
With Academy's directing duo helming a pair of the season's biggest hitters - Shelter and Boots - we asked them how gifting cheers and tears brought on different challenges.
B-Reel Films' director Tomas Jonsgården gives an impassioned account of the making of Save The Survivors, which drew on tragic real-life stories of women and children fleeing conflict.
BLINKINK director Balazs Simon talks to us about the highlights, and painstaking technical difficulties, of shooting a stop motion animation that combines 200 years of Greene King heritage, woodcut illustrations, and 355 laser cut beer cans.
Longtime straight 8 contributors, Iris, picked up Silver in the Cannes 2022 Shootout. Here, Global ECD Grant Hunter tells shots how they created a witty, vibrant industry spoof from a single can of film.
SMUGGLER director Fiona Jane Burgess explains to shots how her powerful new video for Christina Aguilera's 2002 hit tackles the unattractive elephant in the room – how the beauty industry, social media and the online world has contributed to a potentially toxic environment for children and young adults.
With BLUE, creative and technology studio Preymaker set about creating a real-time animated short film entirely in the cloud, achieving startling levels of detail without the use of compositing. shots speaks to executive producer and founder/chief creative Angus Kneale and director Robert Petrie about how the tech might change the future of content creation.
Some recent interviews in our "How To" series.
Spooky season is upon us and brands are dusting off their monster costumes to attempt to mix sales with scares. However, with their Halloween effort Don't Run Out, Uber Eats managed to not only tie in genuine consumer benefits, but also give audiences a proper short-form haunted house thrill ride. We chatted to Great Guns USA director Dan Trachtenberg to find out how he did it.
In a moving branded music video for Trainline, animators Ingi Erlingsson and Ewen Stenhouse were tasked with not only bringing David's music to life but also designing Mother Earth herself. shots caught up with the pair to find out how to address a topic as ominous as the climate crisis in a thoughtful, beautiful way.
Stay up-to-date with the latest news, insight and inspiration for the global creative community.
To kick-off our ongoing collaboration with creative challengers straight 8, we chat to the latest Shootout Gold winners, Work Editorial, about how they made a masterpiece out of a load of old bull.
From floating around fields to dancing through ice-storms, Riff Raff has taken the British fashion house on some incredible cinematic adventures, their latest creation being no exception. We spoke to Megaforce and delved into the details of creating a campaign that combines choreography, SFX, robots, and a 'giant, weird, squid-like enoki mushroom creature'.
How do you seamlessly update an iconic 1979 cinematic scene to incorporate modern sports people, drummers, horse riders, drag queens, dancers, and gymnasts? We speak to the brand, creatives, director and VFX CD behind Ladbrokes' blockbuster spot about how they went the distance.