Ever wondered what fills the world’s most creative minds?
Feed your inspiration with our regular columns.
ArtClass photographer and filmmaker MJT (Matthew James Thompson) talks through the cameras, cut-outs, and culinary delights that keep him creatively motivated.
We hear from PS260 Editor Tyler Hurst, who talks about the experimentation and evolution of the medium, instagram inspirations, and his new 3D printing hobby.
REVERSE director Romain Quirot discusses the risk and reward of artificial intelligence, the way even blockbuster films can be creatively inspiring, and why Jean-Luc Godard was a cinematic inspiration.
Stept Studios Creative Director, Shreya Chopra, talks us through the furniture, literature, and horrifying portraiture that keep her inspiration flowing.
Merman director Lucy Walker highlights the importance of AirTags and gets serious about Barbie, as she reveals what's on her creative radar.
Final Cut editor Sam Bould tells us about the snacks, Crocs and ways to relax that pepper his workplace.
On Location is a column that gives a boots-on-the-ground look at some amazing cities, brought to you by local production experts.
We chat to Chromista director Mario Clement about collaborating with Hildur Guðnadóttir, finding beauty in everyday life, and standing on his hands...
Repped by Marshall Street Editors, Patric Ryan's editing expertise lie in crafting compelling narratives through nuanced, VFX-heavy spots. With over two decades of experience working with brands from Kia to Heineken, Ryan is also committed to supporting and championing the industry's new talent.
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Learn MoreCaviar directing duo Pip + Lib, talk a villainous Olivia Colman and TikTok's quest for betterment as they reveal what's on their creative radar.
Dive into the creative world of SLMBR PRTY director, Rachel Klein, as she shares the cherished keepsakes and excessive greenery that maintain her storytelling prowess.
Love Song director Will Dohrn picks some of the things that are on his creative radar, including a classic UK police show and ProRes-shooting phones.