Canadian Film Centre: Good Cop Bad Cop
Time is of the essence when you're acting in a short film, as these mockumentary
Credits
powered by- Agency TAXI Canada
- Production Company Untitled Films
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Credits
powered by- Agency TAXI Canada
- Production Company Untitled Films
- Editor Brian Wells
- Director of Photography Andre Pienaar
- Agency Producer Sam Benson
- Creative Pete Breton
- Creative Dave Douglass
- Creative Zak Mroueh
- Director Tim Godsall
- Producer James Davis
- Producer Bridget Flynn
![](https://d17mj1ha1c2g57.cloudfront.net/v1/ECj59RZq3XMcvFYRubz--KKJT6k/1024x576%23/80/shotsmag/production/media/5/5/1727ad31-8857-4f32-9774-54dcf2ef21b1/1727ad31-8857-4f32-9774-54dcf2ef21b1_IMAGE_0004.jpg?v=1&quality=80&format=jpeg)
Credits
powered by- Agency TAXI Canada
- Production Company Untitled Films
- Editor Brian Wells
- Director of Photography Andre Pienaar
- Agency Producer Sam Benson
- Creative Pete Breton
- Creative Dave Douglass
- Creative Zak Mroueh
- Director Tim Godsall
- Producer James Davis
- Producer Bridget Flynn
Time is of the essence when you're acting in a short film, as these mockumentary spots for the Canadian Film Centre's Worldwide Short Film Festival can attest. The instructor at this actor's workshop has developed a method, however, much to the disbelief of attending students: strategic use of the word "bitch" work for good cop/bad cop, while villainy is established by a nipple tweak.
Connections
powered by- Agency TAXI Canada
- Production Untitled Films
- Agency Producer Sam Benson
- Creative Zak Mroueh
- Creative Pete Breton
- Creative Dave Douglass
- Director Tim Godsall
- Director of Photography André Pienaar
- Editor Brian Wells
- Producer Bridget Flynn
- Producer James Davis
Unlock this information and more with a Source membership.