You’d struggle to find a more immersive campaign than German agency Jung von Matt/Spree’s The Witness, for action and suspense television network 13th Street Universal, and for that it is a thoroughly deserving winner of the inaugural interactive award.
Having already tickled the senses with a cinematic experience in a previous campaign, Last Call for the same client in 2010, The Witness took the idea further by inviting fans aged 18 and over to
Though Becky Martin is on familiar terms with success, the brilliant Xbox Out Dance Kylie was her first commercial.
Mark Fitzloff and Tom Blessington, of winning agency W+Kennedy Portland, impart their recipe for success.
Axis’ emotionally resonant take on the well-worn zombie apocalypse trope was a cut above the average game trailer.
2011 was a good year for cinematographer-turned-director Lance Acord, Isobel Roberts meets a man of many parts.
Paul Hardcastle’s had a hand in several of 2011’s best spots & his East London edit house is set for more success.
Sumo Science’s stop-motion, Nokia-filmed ventures changed the face of commercial animation. Joe Lancaster reports.
Graham Bird tells how MPC’s success isn’t just down to finishing things off, but getting in there early too.
MJZ LA nabs this award following stirling work that exemplifies the company’s director-driven ethos.
Prior to its Super Bowl unveiling, VW’s Passat campaign starring a mini Darth Vader became a viral sensation.