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Each year the hype surrounding the Super Bowl’s commercial breaks is almost as big as the build-up to the game itself, and while most brands keep their spots a closely guarded secret until the big Sunday, last February Volkswagen and its US agency Deutsch took the bold move to unleash their ad for the new Passat launch via YouTube several days early. And the risk paid off – the spot had racked up 12 million
Though Becky Martin is on familiar terms with success, the brilliant Xbox Out Dance Kylie was her first commercial.
Mark Fitzloff and Tom Blessington, of winning agency W+Kennedy Portland, impart their recipe for success.
Though Becky Martin is on familiar terms with success, the brilliant Xbox Out Dance Kylie was her first commercial.
Axis’ emotionally resonant take on the well-worn zombie apocalypse trope was a cut above the average game trailer.
Paul Hardcastle’s had a hand in several of 2011’s best spots & his East London edit house is set for more success.
Sumo Science’s stop-motion, Nokia-filmed ventures changed the face of commercial animation. Joe Lancaster reports.
Graham Bird tells how MPC’s success isn’t just down to finishing things off, but getting in there early too.
MJZ LA nabs this award following stirling work that exemplifies the company’s director-driven ethos.
2011 was a good year for cinematographer-turned-director Lance Acord, Isobel Roberts meets a man of many parts.
JvM/Spree’s immersive campaign for an action-based television network places viewers right at the heart of a crime.